Skopje’s modernist and Brutalist buildings reveal a city shaped by reconstruction, public life and the changing politics of taste.

Between a new book and a Paris exhibition, Alaïa and Dior meet through form, memory and the quiet discipline of couture.

As screens become endless and increasingly weightless, print is returning as something people can hold, keep and live with.

From Schiaparelli’s surreal anatomy to Gaultier’s re-edited eyes and lips, Vivienne Westwood’s hand-painted gaze and Balmain’s beaded faces, fashion has long returned to the body as fragment, surface and symbol.

Fashion imagery is no longer satisfied with beauty alone. From Prada’s surreal pink bird to sculptural creatures and immersive worlds, fashion is moving beyond the product image and into something stranger, more theatrical and more alive.

At Fondazione Prada’s Deposito, Prada’s AW25 show setting placed raw structure against decorative detail, echoing the collection’s questions around femininity, beauty and glamour.

Cloud Dancer and Rosso Ancora meet as two colours that speak to the mood of 2026: one carrying the quiet promise of a new beginning, the other holding memory, depth and emotion.

After years of polished minimalism, fashion and visual culture are returning to something darker, more theatrical and emotionally charged. Through dramatic silhouettes and the enduring cult language of The Rocky Horror Picture Show, glamour feels expressive again.