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Objects that stay with us 

The Object Edit

Isamu Noguchi Akari 1N light sculpture made of washi paper and bamboo, shown glowing on a concrete floor.
Pale pink Kartell Componibili storage unit with three sliding compartments on a wooden floor.
Vitra Eames House Bird, a pale wooden bird figure with thin black legs, displayed beside a framed black and white photograph.
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Paper Light
Modular Cylinder
Found Bird

Washi paper, bamboo and light come together as something lighter than furniture, softer than sculpture. Noguchi’s Akari lamps have been made in Japan since 1951 using traditional Gifu lantern methods.

A bedside cabinet becomes a stack of sliding plastic cylinders in Anna Castelli Ferrieri’s Componibili for Kartell. Designed in 1969, its rounded modular form has changed remarkably little since.

Not designed by Charles and Ray Eames, but chosen by them. The Eames House Bird began as a folk art figure in their Pacific Palisades home, then entered Vitra’s collection in 2007, carved in solid alder wood.

Lalique Mossi Vase in clear crystal, displayed on a glass table with a small glass bowl and a dark animal figure.
Maison Margiela mirrored Tabi boots covered in fragmented reflective pieces, displayed on a pale studio surface.
A monochrome image of Juicy Salif citrus squeezer designed by Philippe Starck.
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Crystal Weight
Fragmented Shine
The Creature

Designed by René Lalique in 1933, the Mossi Vase gives clear crystal a sense of weight and repetition through raised circular forms. Transparency becomes less fragile, shaped instead by volume, pattern and reflected light.

The split toe became a design code through Maison Margiela’s Tabi, first introduced in 1989. In the 2025 Broken Mirror edition, pieces of mirror cover the boot, shifting it between recognizable form and reflected image.

Philippe Starck’s Juicy Salif for Alessi gives an ordinary kitchen task an unlikely silhouette. Sketched on a pizzeria napkin in Italy in 1988, it entered production in 1990 as polished aluminium on three spider-like legs.

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