A face can hide the rest of a portrait. Volker Hermes hides the face instead.

Print circulation fell. The magazine survived. Its job changed.

Doğu Özgün talks about the roles we inherit and what happens when someone leaves the board.

If perfection is no longer scarce, what does luxury make scarce instead?

We can spot the signs. But what do they tell us?

Noah Becker on algorithms, visibility, taste and why popularity is a poor substitute for judgment.

What changes when we see an artwork’s image long before we encounter the work itself?

A name made six designers easier to see. It also made their differences harder to separate.

Copenhagen Fashion Week is turning sustainability from promise into proof.

Seven familiar figures return at the wrong scale, changing how we read what is before us.

If the serpent was already a powerful symbol, why was it given a human face at all?

These notebooks ask what becomes visible when attention stays a little longer.

Je M’appelle Macid on the distance between artist and figure and the power of darker fragility.

As Skopje prepares for European Capital of Culture 2028, its layered identity offers a new perspective.

This collection follows a car as it slips away from its expected role.

Sculptor Korkut Sönmez treats marble and bronze as vessels of time.

One orange-yellow diamond gives this necklace its point of gravity.

From Gaudí’s façades to Hockney’s pools, some surfaces do more than appear.

When everything is saved, the problem is no longer preserving the past.

A look at impossible materials in fashion, from Chanel’s cement embroidery to Herpen’s 3D shells.