What happens when broken glass is made to bloom? Exploring Maarten Vrolijk's Sakura works.

The Row’s $620 rubber slide comes with a complete description. The price is the only detail it cannot explain.

Between Kurosawa and Pokémon was a paint made to survive flight. It carried a director’s colours, a product name and a schoolboy’s drawing.

A new Hermès enamel bracelet looks unexpectedly familiar. The reason leads back to Vienna.

Saygın Sesli on taste memory and what a chef can add to a recipe that existed before him.

Magelier looks at how Follow became part of another distribution decision.

George Stadnik on Lumia, Thomas Wilfred, the Photon Guitar and six decades of making images with light, time and variation.

A face can hide the rest of a portrait. Volker Hermes hides the face instead.

Print circulation fell. The magazine survived. Its job changed.

Doğu Özgün talks about the roles we inherit and what happens when someone leaves the board.

If perfection is no longer scarce, what does luxury make scarce instead?

We can spot the signs. But what do they tell us?

Noah Becker on algorithms, visibility, taste and why popularity is a poor substitute for judgment.

What changes when we see an artwork’s image long before we encounter the work itself?

A name made six designers easier to see. It also made their differences harder to separate.

Copenhagen Fashion Week is turning sustainability from promise into proof.

Seven familiar figures return at the wrong scale, changing how we read what is before us.

If the serpent was already a powerful symbol, why was it given a human face at all?

These notebooks ask what becomes visible when attention stays a little longer.

Je M’appelle Macid on the distance between artist and figure and the power of darker fragility.